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Critique By:
A N (K:-67)
7/22/2008 6:59:47 PM
Excellent, this lizard revenge !
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| Photo By: Hussam AL_ Khoder
(K:75174)
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Critique By:
A N (K:-67)
7/17/2008 7:57:19 AM
Once again, giving a short look at the recent pictures, your catch my eyes. Where does come from your smart and sharp eye ?
Just a low POV and a semi framing, and it makes all the difference.
I would like to know why you choosed noise, and if you added it on post-process. On my mind, it adds some mistery and softness to the picture, in harmony with this gallery of remembrance.
Sorry for my english.
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Photo By: Avi
(K:67626)
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Critique By:
A N (K:-67)
3/1/2008 7:10:52 PM
Il y a quelque chose de fascinant dans cette image pourtant si sobre ...
Parce qu'il ne s'y passe rien ou presque, et que seule la symétrie la construit, on s'y attarde, instinctivement amené à comparer les deux parties.
Et on souhaite percer le mystère de ces formes à peine esquissées derrière les vitres, comme si elles devaient être le principal sujet de la chose, mais qu'elles s'étaient effacées au profit du jeu de la symétrie.
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| Photo By: Fabrice Gourbilleau
(K:58301)
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Critique By:
A N (K:-67)
2/25/2008 4:02:49 PM
hello Avi,
This is exactly the kind of picture fascinating me... Big structure, crane, man at work, silhouette and huge sky.
I appreciate the backlight well drawned, but sufficiently nuanced to see all the details of the scene.
I'm less convinced by the green tint. Was it the pollution so intense ? or a choice of you ? or my screen, maybe !!
Nevertheless, I like very much.
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| Photo By: Avi
(K:67626)
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Critique By:
A N (K:-67)
12/26/2007 7:03:41 AM
Cette jeune femme est exceptionnellement belle. La photographie est splendide. Une pose très tendre et très sensuelle, une lumière parfaitement maitrisée. Je n'y connais rien en technique de portrait, mais je suis bluffée.
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| Photo By: Loic Pézarches
(K:2867)
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Critique By:
A N (K:-67)
12/24/2007 7:55:03 AM
Hello Wim. Mystery solved... you are belge, not dutch !
This is of course a fabulous portrait. Each pore, each wrincke, each hair is clearly disctinct. The result is a great clearness, but also a lot of softness, given by the gesture and the half-smile.
Superb.
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| Photo By: wim denijs
(K:174)
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Critique By:
A N (K:-67)
12/22/2007 6:25:32 PM
(I forgot to rate)
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| Photo By: a. gianfranco baccelli
(K:20822)
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Critique By:
A N (K:-67)
12/22/2007 6:24:07 PM
Of course it is ! We don't need the title. Easy to see... when the picture is made, so : in your own eyes ... but only a real photographer can see that in the folds of a cloth.
Magistral
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| Photo By: a. gianfranco baccelli
(K:20822)
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Critique By:
A N (K:-67)
12/22/2007 5:50:16 PM
An intense look, a superb focus, and the strong presence of these tinited hands ...
Just a little detail, I regret the face is not rightly aligned with the hands.
Nevertheless, it is superb !
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| Photo By: Avi
(K:67626)
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Critique By:
A N (K:-67)
12/22/2007 12:02:33 AM
What a beautiful shot ! The water looks as silk and pearls, and the position of the egret straight funny.
You made a good work, no doubt.
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| Photo By: Ken Phenicie Jr.
(K:6273)
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Critique By:
A N (K:-67)
12/21/2007 11:52:35 PM
Minimal, clean, strong .. The ultime evidence.
Even the square format and the white border are exactly calculated for the best impact.
Your work is amazing.
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| Photo By: Leo Régnier Я£
(K:66129)
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Critique By:
A N (K:-67)
12/21/2007 11:44:59 PM
(I thought you was Dutch. Was I wrong ? you choosed an US flag for your profile.)
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| Photo By: wim denijs
(K:174)
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Critique By:
A N (K:-67)
12/21/2007 11:41:54 PM
Hello Wim,
I'm very very pleased to see your pictures on UseFilm.
Your portraits are wonderfull, I hope you will complete your collection here.
Welcome on UseFilm,
Aline
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| Photo By: wim denijs
(K:174)
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Critique By:
A N (K:-67)
12/21/2007 11:37:03 PM
By the way ... welcome on UseFilm.
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| Photo By: Alin Ciortea
(K:6)
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Critique By:
A N (K:-67)
12/21/2007 11:35:22 PM
Smoky, Grainy, wooly... and this sharp, serious, grave look emerging from the darkness... This is really a beautiful picture, on my mind.
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| Photo By: Alin Ciortea
(K:6)
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Critique By:
A N (K:-67)
12/18/2007 6:22:07 AM
It's a very good thing to see you, good old Gene, whispering at the ear of the little baby. As if all UF was doing.
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| Photo By: Robin Wickenkamp
(K:16478)
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Critique By:
A N (K:-67)
12/15/2007 11:44:59 PM
:-)))
I didn't know I could become the fan of a Teddy bear.
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| Photo By: Leonie Fitzpatrick
(K:40551)
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Critique By:
A N (K:-67)
12/15/2007 11:21:13 PM
You were at the right place at the right moment !
Perfect POV.
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| Photo By: 1301307 60
(K:43692)
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Critique By:
A N (K:-67)
12/15/2007 11:18:19 PM
Minimalist as I like.
Superb
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| Photo By: Momento Eterno (Carmen Spitznagel)
(K:1099)
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Critique By:
A N (K:-67)
12/2/2007 5:14:41 PM
Hugo !
I'm just unpacking my bags from a long stay in Paris, trying to learn more about night pictures...
And, yes, a nice message from you.. plus, plus some pictures of you from .. Paris by night. Ah ah, Europe is so little.
I need time to watch more carefully at your work. But right now, I'm mainly very happy to see sign of life from you.
Beaubourg, object of hate and love for french people as me.
Even after these long years, I'm not able to be sure about my own feelings :
The stairs look as a living worm. They are trying to eat the old Paris, here visible with the old lamp post, but, after all these years, who eats who ?
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| Photo By: Hugo de Wolf
(K:185017)
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Critique By:
A N (K:-67)
11/17/2007 8:25:00 AM
I don't understand why this picture was so few seen.
Maybe because the strange atmosphere is really visible only after enlarge.
In my opinion, the composition is a bit messy, but it is not a problem for me : with this compo, the picture looks as taken in the emergency, just in front of the wave.
I really like the way you have catched the 3 different grounds - the bright puddle, the fuzzy rain, then the discret but scary scene of tilted boats.
The sky seems, for me, too much post-processed, but maybe it is natural, and in any case, it was necessary to have a structured sky above this confused and obscure but impressive scene.
Great.
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| Photo By: Tamara Verbova
(K:492)
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Critique By:
A N (K:-67)
11/17/2007 7:43:03 AM
This baby, rolling on himself, as discovering the first pleasure of the move and the play with an hesitating smile, and this thoughtful hand behind... that's great.
The POV and angle are calculated to give us the feeling to be with him, at his level, and his emerging world.
Great warm colors too.
I like it very much
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| Photo By: Bhabesh Chakrabarti
(K:11574)
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Critique By:
A N (K:-67)
11/9/2007 6:28:31 PM
An excellent picture. Mysterious, timeless, so sober ... almost abstract. Yes, lost in transition, without marks.
I first wondered why you choosed to made a picture so grainy... but, well... it adds a dreamy touch to the picture.
I like very much this picture.
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| Photo By: Fabricio Sousa
(K:-29)
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Critique By:
A N (K:-67)
9/19/2007 12:26:54 PM
Félicitations, Fabrice, pour ce si beau biiip !
Une très belle composition pour déservir un théme qui me touche au coeur, l'homme dans la ville.
Ses pieds nus, son visage penché donc anonyme, sa position à l'angle de l'escalier et de l'eau, lui donnent beaucoup d'humanité et de fragilité. Il pourrait être chacun d'entre nous.
MAis comme je suis étonnée par ton titre, et donc par ton interprétation - semble-t-il partagée par d'autres - de l'image !
Je crois voir un homme qui a cherché l'isolement au bord du fleuve, pour se concentrer sur sa musique, oublieux de la ville et des autres, juste conscient de la chaleur de la pierre et du mouvement de l'eau...
Toi, tu y vois tristesse et désespérance ...
Pourquoi donc ?
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| Photo By: Fabrice Gourbilleau
(K:58301)
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Critique By:
A N (K:-67)
9/10/2007 12:11:12 PM
J'adore ces compositions qui gagnent en puissance par leur minimalisme.
Les tons et les textures sont merveilleusement bien rendus. Une superbe perspective !
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| Photo By: Fabrice Gourbilleau
(K:58301)
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Critique By:
A N (K:-67)
9/10/2007 12:08:17 PM
Hier, j'ai longé des champs de tournesols murs, donc noircis et flétris, et j'ai songé à leur rôle dans la peinture et la photo. Habituellement symboles de la lumière flamboyante et du soleil, mais marqués aussi par l'image torturée qu'en a donné Van Gogh.
Cette photo me ramène directement à mes réflexions d'hier. Merci pour avoir ainsi usé à contre-pied de cette fantastique plante, en la photographiant de dos, courbant le dos à l'infini sous un ciel menaçant.
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| Photo By: Fabrice Gourbilleau
(K:58301)
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Critique By:
A N (K:-67)
9/8/2007 8:42:38 AM
Oh, thank you for adding this shot. It comfort me in the idea you choosed a very good POV.
It seems Tallin is changing quickly, isn't it ?
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| Photo By: Paolo Corradini
(K:58214)
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Critique By:
A N (K:-67)
9/8/2007 8:37:08 AM
Superb rythmic pattern. An abstraction ponctued by little marks of colors and human silhouettes..
Maybe it would have need more sharpness ?
Anyway, a picture I would have liked to do.
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| Photo By: mansoor mohamadi
(K:1077)
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Critique By:
A N (K:-67)
9/8/2007 8:31:38 AM
Wonderful abstraction. The composition is perfectly balanced, the blue tones fine, delicate.
Where is the top, the bottom ? We are loosing our marks in this puzzle of blue.
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| Photo By: Paolo Corradini
(K:58214)
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Critique By:
A N (K:-67)
5/30/2007 1:25:49 AM
Extraordinary ! A lot of qualities in the same time.. strong grasphism, superb composition, vivid complementary colors, full of life, sensual... Really a master piece for me.
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| Photo By: jorge carvalho
(K:5941)
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