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Critique By:
Alan Mead (K:1984)
9/6/2007 1:02:53 AM
She seems to be saying:"That is far enough, this is my forest."
Such a nice photo.
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| Photo By: Jan Hoffman
(K:39467)
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Critique By:
Alan Mead (K:1984)
9/6/2007 1:00:31 AM
This photo with it's busy composition creates the feeling that those people are all moving and consuming with total haste and concentration. Good shot.
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| Photo By: Jan Hoffman
(K:39467)
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Critique By:
Alan Mead (K:1984)
8/22/2007 1:46:05 AM
this portrait is so positive, happy and exudes the spirit of the model. Well taken.:)
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| Photo By: Momento Eterno (Carmen Spitznagel)
(K:1099)
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Critique By:
Alan Mead (K:1984)
8/17/2007 4:49:53 PM
And so you succeeded, the image is mysterious and menacing. Well done.
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| Photo By: Jan Hoffman
(K:39467)
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Critique By:
Alan Mead (K:1984)
8/17/2007 2:04:00 PM
Gracias Marcelo.
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| Photo By: Alan Mead
(K:1984)
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Critique By:
Alan Mead (K:1984)
8/15/2007 5:32:35 PM
Thanks for your comments
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| Photo By: Alan Mead
(K:1984)
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Critique By:
Alan Mead (K:1984)
8/15/2007 3:54:54 AM
Thanks.
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| Photo By: Alan Mead
(K:1984)
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Critique By:
Alan Mead (K:1984)
8/15/2007 3:01:15 AM
Pimarily, I am glad to find another of the G7 clan here on Usefilm.
Interesting portait: with the crop done the way you have executed it, my inclination is to say "well I don't really like this."
BUT, what effect does it have like so? It is a mustery for one thing, rather disarming for another and then too somewhat menacing. Really, you give no option but to view your portrait in this manner. If this is what you had in mind, then Bravo. It did the job.
A given of course is the image quality that in shooting and seeing, I never fail to be delighted by the quality. So fellow G-sevener, Well done!
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| Photo By: Jan Hoffman
(K:39467)
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Critique By:
Alan Mead (K:1984)
8/14/2007 8:15:35 PM
Merci beaucoup. Thanks. Gracias
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| Photo By: Alan Mead
(K:1984)
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Critique By:
Alan Mead (K:1984)
8/14/2007 12:04:37 PM
Thanks Mohamed for looking and taking the time to comment.
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| Photo By: Alan Mead
(K:1984)
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Critique By:
Alan Mead (K:1984)
7/16/2007 2:12:32 PM
Well seen. Mkaing something out of less, bravo for the light.
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| Photo By: Mirek Netusil
(K:578)
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Critique By:
Alan Mead (K:1984)
7/6/2007 10:23:33 PM
Your model appears to be able to produce a multitude of moods that you capture so very well. A splendid collection, really.
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Photo By: Klaus Kraiger
(K:2236)
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Critique By:
Alan Mead (K:1984)
7/6/2007 2:15:21 PM
Klaus, I think that you portaits are imaginitive, provocative and for the most part well composed. there is such a variance in each one from the other, good work indeed.
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| Photo By: Klaus Kraiger
(K:2236)
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Critique By:
Alan Mead (K:1984)
6/26/2007 6:31:16 PM
You have an eye for playing with shapes that are already there, but you are able to recycle them to produce something else. A good eye I would say.('Within' being another one and one next to it.)
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| Photo By: Yazeed Jalili
(K:55749)
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Critique By:
Alan Mead (K:1984)
6/14/2007 1:23:51 AM
A work of art. uperb
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| Photo By: ali alisir
(K:-41)
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Critique By:
Alan Mead (K:1984)
6/4/2007 9:00:48 PM
Superb portait, this is what portaits are all about. the composition of all that is there is just so well placed.
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| Photo By: James Lee
(K:4457)
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Critique By:
Alan Mead (K:1984)
6/4/2007 8:58:47 PM
The lighting in this image does it for me, beautiful conrasts ans tones.
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| Photo By: James Lee
(K:4457)
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Critique By:
Alan Mead (K:1984)
6/4/2007 8:51:55 PM
Very classic composition, the eye is drawn into a polarizing point in the image.
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| Photo By: neda astani
(K:2796)
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Critique By:
Alan Mead (K:1984)
6/4/2007 8:48:50 PM
I like very much this image Neda, it is a definite style where one inserts (or interrupts) something into complete order in a very intentional way. It is something that we can look for all the time to produce thoughtful images. Excellent work.
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| Photo By: neda astani
(K:2796)
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Critique By:
Alan Mead (K:1984)
6/4/2007 3:32:40 AM
Not too worry James, we put our pictures on Usefilm to provoke critique. We learn that way. Your comment is valuable. Merci.
AM.
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| Photo By: Alan Mead
(K:1984)
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Critique By:
Alan Mead (K:1984)
5/31/2007 9:58:53 PM
Merci beaucoup Gust et
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| Photo By: Alan Mead
(K:1984)
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Critique By:
Alan Mead (K:1984)
5/31/2007 12:31:29 PM
Thanks Bob, I have this youngster for 10 years and it is is so charming and exhilrating to see her growing up.
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| Photo By: Alan Mead
(K:1984)
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Critique By:
Alan Mead (K:1984)
5/31/2007 12:27:54 PM
Thanks James, I sall do something about the frame later.
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| Photo By: Alan Mead
(K:1984)
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Critique By:
Alan Mead (K:1984)
5/31/2007 2:07:56 AM
I feel that is photo is so well composed that it is a painting! You must be a very patient fellow. How I miss real good fish and chips.
Thanks from an Ex pat.
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| Photo By: Bob Aldridge
(K:14758)
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Critique By:
Alan Mead (K:1984)
5/31/2007 2:04:22 AM
Thanks Bob, comments appreciated.
Alan M.
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| Photo By: Alan Mead
(K:1984)
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Critique By:
Alan Mead (K:1984)
5/30/2007 2:12:19 AM
Thanksfor your comment and for looking. I did try converting this one into B&W but I was not impressed with thelack of contrast. Perhps though I am not too familiar with the 'Elements' program so I will go into it a bit more.
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| Photo By: Alan Mead
(K:1984)
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Critique By:
Alan Mead (K:1984)
5/29/2007 8:47:04 PM
Yes, a'magic moment', again, right place, right time, everything is right.
Beautiful.
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| Photo By: Bob Aldridge
(K:14758)
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Critique By:
Alan Mead (K:1984)
5/29/2007 8:40:52 PM
Another precise and beautiful composition.
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| Photo By: Bob Aldridge
(K:14758)
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Critique By:
Alan Mead (K:1984)
5/29/2007 8:35:30 PM
There are several very positive comments that one could make about this image: the positioning of everything for one thing, every element is in a perfect perfect place as though one set this arrangemnt up as a set of static items; the birds defy that conclusion. The colours, textures and sharpness are excellent. A superp photograph, it would seem to reveal a very patient photographer.
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| Photo By: Bob Aldridge
(K:14758)
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Critique By:
Alan Mead (K:1984)
5/29/2007 8:29:21 PM
Very inventive composition. All rests in peacwe except the weather I guess.
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| Photo By: Bob Aldridge
(K:14758)
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