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michelle k.
{K:16270} 11/27/2003
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lol i was about to say dangggggggggg filling your portfolio, ay? haha. anyway i like this one too as part of the series, but i like the other ones a little more.. maybe just a teeny bit more contrast, but then again that's just my own personal preference i am high contrast lady.
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safak tortu
{K:2896} 11/27/2003
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Hi altaf,this shot is talking about San Francisko...Good exposure..Congr...
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Gregory Fiedler
{K:15454} 11/27/2003
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A very fine abstract! Marvelous focal point.
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Isaac Varzim
{K:1047} 11/27/2003
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Great detail! Congratulations Altaf!
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lisa .
{K:9370} 11/27/2003
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hi doll face.........looks like a close up on satans fork thing he hangs with....i like it but i dont see teh need for the top right corner cos its destracting....wheres 5,4,3,2,1??
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Tomo Radovanovic
{K:12788} 11/27/2003
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well seen
nice angle
excellent shot
regards
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Emanuele Calvagno
{K:14350} 12/10/2003
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molto bella la composizione e la prospettiva data al cancello.
Ottimo uso della profondità di campo.
La cosa che mi piace di più della foto sono le punte delle lance ognuna con un angolo diverso...
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Richard Thornton
{K:26442} 12/11/2003
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A little texture, a little symbolism and lots of low key. I know there wasn't much ambient light, but you ran out of dof, which would have extended the zone of sharpness and benefitted the image.
Please see my autobiography.
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Petros Stamatakos
{K:11628} 1/9/2004
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I like the composition, the texture, the tone. DOF is a little confusing. Are you trying to make one of the spikes your primary? If so, a different angle perhaps would help isolate and make it pop. ... But that's an other photo all together...
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Roger Cotgreave
{K:15892} 1/25/2004
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why do I think of corporate business, hell and my bank manager when I see this?...looking good Altaf bent to perfection...it was my local cafe i was in the park outside looking in...ta roger
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ken osborn
{K:2997} 4/2/2004
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All sorts of symbology in this one, Altaf. Certainly appropriate for San Francisco. Not quite sure how to critique the DOF on this, but the overall image has an impact. Regards, Mister Ken
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Waiting in San Francisco |
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Viktor Pravdica
{K:6647} 4/17/2004
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Interesting
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Jan Symank
{K:15755} 8/15/2004
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Very interesting graphic lines and structures in this monochrome
Very wellseen and composed
Bravo and regards from Jan
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Carlheinz Bayer
{K:14220} 9/28/2004
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Very nice mood. Great comp. Did you consider to add some color. Kinda red/yellow or greenish/blueish? Nice job!
C.
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Robert Kresa
{K:-117} 12/15/2004
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Broken fence. And like devil's fork. Good.
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Carol Cefalu
{K:7506} 12/31/2004
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Very nice! I love this perspective...You have a very unique way of looking at your surroundings and delivering them to the viewer in a very artistic/creative way.
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Juliette
{K:585} 12/31/2004
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i love it -- 7!
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Lily
{K:11009} 5/21/2005
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This has a 3 dimensional feel to it. The dof did not bother me, I actually liked it. Maybe crop or clone out the upper right corner.
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Antonia BauerleinSehnert
{K:30030} 5/22/2005
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What adds appeal to this image is the fact that pretty much only one of the posts is in focus. The rickety, rustic feel of the image is engaging for me -- it's "dark" in that moody dark sense of the word. It's nice to see you up on the main page for a change. :) Thanks for managing a fantastic site Al. Antonia
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Gina Barone Oliver
{K:1011} 5/22/2005
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I like it.
Looks like something you'd see
on the cover of a mystery book.
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Jeanette Hägglund
{K:59985} 6/28/2005
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This is a favorite - arrows pointing at little different directions. I like the Hasselblad format and the dark feel that you have here... It?s a great abstract in my point of view!
Jeanette
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Chelsea Burke
{K:5026} 8/22/2005
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I'm wanting the exposure to be a little brighter on this one.
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Anthony Gargani
{K:4524} 3/4/2006
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Al,
This is one of my favorites in your portfolio. I really dig this type of shot and the way you executed it.
BTW-if you get this can you *please* drop me an email with info on how I can contact you directly? I couldn't find any direct contact info, and I'd really appreciate it.
Thanks...
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said elmobasher
{K:861} 10/12/2006
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I loved the tones.
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