More windy emptiness. You and a few others have set an example I've been trying to follow in recent work: No Obvious Composition. Formal considerations apart, your suburban landscapes (especially Polaroids) add up to a fine, unpeopled portfolio full of emptiness. I suppose it's a matter of taste, but I'm a great fan of your subtractive style. Hope you're not disappointed in the paucity of comments; I learned long ago that what most folks want to see (and why not?) is other folks, especially in photos that tell a story.