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Khaled Mursi Hammoud
{K:52315} 2/19/2005
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Excellent image Kareem.
I like your composition of centralizing the inlet of the tunnel with this nice lighting of the bricks on the ground and captring a man walking just through it.
Good work my friend,
Khaled.
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Kareem Hamdan
{K:3177} 2/19/2005
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Thanks friend.
Regards
Kareem
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cameny
{K:5880} 2/19/2005
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Very good and authentic photo. I really like this "natural" framing and one person who is walking gives some life and feeling of depth into image. Good job Kareem!
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Kareem Hamdan
{K:3177} 2/19/2005
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Thanks.
Regards
Kareem
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Alison DuFlon
{K:35793} 2/19/2005
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Beautiful photo and a great lead in. Although it is dark you have maintained a bit of the beautiful shine of the marble on the road. The man entering the tunnel adds nice detail and perspective to the photo. Alison
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Saeed Al Shamsi
{K:47538} 2/20/2005
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This image must have full +++7,it has the most attractive elements done with professional way, the tunnel is perfectly dark to give the subject moving towards, a sense of live, the darkness not effected the path or it was just perfect to show the paving, and that a good sign for the moving person to continue his way through. I like it very much it is the image with a story telling .Great job.Saeed
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Riny Koopman
{K:19998} 2/20/2005
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Exellent street atmosphere..Like the way you have been captured..Good Job Kareem
Best regards,
Riny.
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Omar Rifaat
{K:10135} 2/20/2005
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Thats a good shot, Kareem. You can really feel the atmosphere, history and also the isolation of today. Its quite poetic..
Regards,
Omar
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omar imam
{K:5514} 2/21/2005
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nice use of the black, like it , bravo.
omar
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Richard Dakin
{K:12852} 2/21/2005
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Interesting use of negative space. Congrats.
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Massimo Di Maggio
{K:-56773} 2/21/2005
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You find always fine and interesting places, I like this deep perspective with old buildings in background, the little human figure adds a nice touch to the image, good BW tones and contrast. Thankx for your kind comments. Bye, Max
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Kareem Hamdan
{K:3177} 2/21/2005
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Thanks very much!
Best wishes
Kareem
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Dr. Rafael Springmann
{K:86479} 2/22/2005
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Very well composed B&W photo, Kareem. I looked for your comment under my "Glass 4" but it was not there. Tel Aviv may have been called Tal arebi, but it was a dune and nothing else and was bought with money from the Arab sheich who owned it. In Israel almost everybody is in the army at one time or another, otherwise the state would not exist. The fact that I became chief psychiatrist in the army was mere chance and I did not like the job. I preferred clinical work.
As to the Jews ruling the world this way or that, I won't go deeper into that, otherwise we can't continue to be friends. How can a people of 13 million rule the world? Was there not a time at which Muslims ruled the world?
I am fine. I just celebrated my 75th birthday and I am glad that you read my book off paper. I don't want you to spoil your eyes.
Your friend for the time being,
Rafi
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Carla Ardian
{K:618} 2/23/2005
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VERY nice image. I love the black and white contrast and how the minimum view of the other end of the tunnel (or whatsoever). Focused and nice. :)
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Roberto Okamura
{K:22842} 2/23/2005
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Excellent capture Kareem!!! Very well done!
Congrats!
Roberto.
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Antonella Nistri
{K:21867} 2/24/2005
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Excellent picture, Kareem, the human presence adds a lot of interest to it.
Perfect exposure and framing, many congrats, dear!
Antonella
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Kamran
{K:3420} 2/25/2005
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Good job
nice light.
kamran
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Kareem Hamdan
{K:3177} 2/25/2005
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thanks for that, but if you were more polite and not give me 1.
I know that, I can calculate that. anyway thanks.
nice trick to put two words and sword between them.
Bye for ever
don't talk with me again ok
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NN
{K:26787} 2/27/2005
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Nice angle, lighting and tones! Well done, Kareem!
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Inji Amer
{K:22997} 3/4/2005
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Very beautiful image , I like the wonderful composition . the natural framing , the B&W tones , the ancient atmosphere .
Really an original work.
inji Amer
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Enas Moussa
{K:7470} 3/8/2005
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great composition Kareem..
very well done.
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Paul's Photos
{K:34954} 3/2/2006
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nice scene...good lighting and tones..
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