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Broken
Image Title:  Broken
 
 By: nicole miller  
  Copyright ©2005



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Photographer nicole miller {K:865}
Project #15 Personal Style Camera Model Canon EOS REBEL 2000
Categories Alternative Process
Photoart
Landscape
Film Format
Portfolio things
places
Lens Canon  70-200 mm f/4.0 L USM
Uploaded 7/23/2005 Film / Memory Type Kodak  T-Max
    ISO / Film Speed 400
Views 361 Shutter
Favorites Aperture f/
Critiques 17 Rating
6.00
/ 4 Ratings
Location City -  San Luis Obispo
State -  CALIFORNIA
Country - United States   United States
About I shot this roll of film to be printed as an 8x10 contact sheet (no easy task). No Photoshop here! Does this concept work, and would you push it further?
Random Pictures By:
nicole
miller


"Owning Everything"

First Aid

dancer no.8

Purple Haze

Point Lobos

Belly Dancer #1

"Gift of Sight"

Rhapsody in Fur no. 7

Sunset Skydive

The Gas Works, #6

There are 17 Comments in 1 Pages
  1
Arturs Daukulis   {K:1331} 7/23/2005
Wow! looks impressive!!!
best regards!!!
Arthur


christine .   {K:156} 7/23/2005
rock on


Trish McCoy   {K:16519} 7/23/2005
wow!!! truly amazing work here. Love what you have created.


Todd Miller   {K:16464} 7/23/2005
ambition pays off here. great work...you are incredibly patient. great idea, and it works wonderfully. bravo!
todd


Angelo Villaschi   {K:49617} 7/24/2005
Very creative work, Nicole. Beautifully done. Quite an interesting technique.


Kevin Collier   {K:19076} 7/26/2005
Great work to keep all the images togther for the final product - congrats on a great work - K


ppdix     {K:17069} 7/31/2005
amazing! what a clever idea....

Love it


Leora Long   {K:10093} 8/4/2005
Nicole, this looks like a daunting task, but beautifully executed. And a great subject for this framework.

You certainly should be making your way as a professional, but unfortunately it is usually location, location, location or connections, connections, connections.

Publishing, as on Usefilm, is a good place to start, but doing a gallery exhibition in San Fran or LA - the nearest cultural centers - could not hurt - or having a website that you can direct magazine people to.

And finding a rep - west coast - or east coast, if you want to travel to New York - is a great big step in the right direction.

What might motivate you is putting together a portfolio that you are passionate about with a theme - maybe the love theme with the poetry - and send out a DVD to the important magazines - New York Times Magazine, etc.

You are obviously very talented and need only to focus on what you absolutely must have and do.

Sorry, bossy is my middle name. Leora


nicole miller   {K:865} 8/4/2005
Leora,
Thanks for the compliments and advice. I know I really need to get focused in one direction and not be so scattered. Assembling a good portfolio is my top priority right now, especially one with a theme like you suggested. I appreciate the encouragement, and you can boss me around anytime! --Nicole


Leora Long   {K:10093} 8/18/2005
Hi Nicole, It is always easier to boss someone else around - I am now in the process of getting focused myself, so good luck to both of us.

Your friend, Leora


Hugo de Wolf   {K:185017} 12/27/2005
Hi Nicole, I read your post in the forum, and I do see what you mean. I, personally, don't think there's anything wrong with an inconsistency in style, nor with a versatile number of subjects in photos.

In general lines, i'd say there is a strong consistency in your work; the tones and atmosphere (somewhat gloomy, in most cases with a tungsten warmth over it (especially the portraits) and a very consistent approach to composition (not surprising with your background)

I'd say your style evolves about mood and atmosphere. The bourbon series is a very strong example of that. It shows a perfect combination of photographic techniques to sketch the style, both in subject as well as in mood.

A few others, on the other hand, miss that genuinity, and seem to be more "forced" if you know what I mean.Why don't you draw up a list of what feelings / atmospheres you're most comfortable in, and complete that list with technical background on how to sketch that mood and capture it on film. With that cool, analytical approach as a draft in the back of your mind, I think you can really make things rock. the benefit is that you start shooting with a a concept of what the final shots should look like in mind; For me, it brings back that sparkle we're all missing at times. Hope this makes sense...

I picked this one my favourite, as I find the approach to the subject truely fascinating Higly creative and effective. Inspiring too. Compared to your other photos, I do think it stands out, and very positively so.

Cheers,

Hugo


Giuliano Guarnieri   {K:34595} 12/29/2005
:)
You are crazy! :)))))))))

Amazing work!

GG


Ciprian Ilie   {K:13215} 4/2/2006
Looks like a fantastic labour of love, very well calculated and put together. The size here doesn't do it justice.

Regards,
Ciprian


Hugo de Wolf   {K:185017} 4/2/2006
Hi Nicole, Like I commented earlier, for me, it's a definite double YES. The concept definitely works, and I'd definitely would pursue this further. A pity the photo is a bit small to fully appreciate, as I'm sure there's more to this than meets the eye. Very creative approach, and definitely one to remember! Very creative!

Cheers,

Hugo


Nicole Marcisz   {K:10172} 4/7/2006
I think the concept works. Definately would work best larger so you can see the details. In this small image I can't really see what is going on in the bottom part of the scene. My question would be as a view to find out the relation of the bottom image to the top. I like large peiced together scenes, so I can image each frame as an 8x10 on a wall.
good luck,
cheers,
nicole


Tyler Robbins   {K:904} 4/15/2006
very cool.... time to makes slides of this one and enter some exhibitions with the concept, put together a solid set of ten and they would serve you well.


AboutPicture     {K:519} 6/8/2006
beautiful picture


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