|
|
| Photographer |
In Transit {K:29358}
|
| Project |
#51 Silhouettes and Abstracts
|
Camera Model |
Olympus E500
|
| Categories |
Architecture
Journalism
Landscape
|
Film Format |
|
| Portfolio |
|
Lens |
LensBaby 2.0
|
| Uploaded |
11/14/2005 |
Film / Memory Type |
Lexar 1GB
|
| |
|
ISO / Film Speed |
16 |
| Views |
232 |
Shutter |
|
| Favorites |
1
|
Aperture |
f/ |
| Critiques |
10 |
Rating |
5.88
/ 4 Ratings
|
| Location |
City -
State -
Country -
|
| About |
Olympus E500 with LensBaby 2.0
For Whom the Bell Tolls (Ernest Hemingway) combines two of the author's recurring obsessions: war and personal honor. The pivotal battle scene involving El Sordo's last stand is a showcase for Hemingway's narrative powers, but the quieter, ongoing conflict within Robert Jordan as he struggles to fulfill his mission perhaps at the cost of his own life is a testament to his creator's psychological acuity. By turns brutal and compassionate, it is arguably Hemingway's most mature work and one of the best war novels of the 20th century.
---Alix Wilber---
http://www.ernest.hemingway.com/
Make his fight on the hill in the early day
Constant chill deep inside
Shouting gun, on they run through the endless grey
On the fight, for they are right, yes, by who?s to say?
For a hill men would kill, why? they do not know
Suffered wounds test there their pride
Men of five, still alive through the raging glow
Gone insane from the pain that they surely know
For whom the bell tolls
Time marches on
For whom the bell tolls
---Metallica---
|
|
Random Pictures By:
In
Transit
|
|
{K:59669} 11/14/2005